The Weavers of Lapua

More than a hundred years ago, the great-grandfather of Jaana Hjelt’s husband, Esko, opened a wool and felt boot factory in Lankilankoski, Finland, where the Ostrobothnian winters are freezing cold.

Still in family hands, Lapuan Kankurit today values responsible and environment-friendly processes and pure natural materials. Multifunctionality of their products is important to owners and forth-generation weavers Jaana and Esko Hjelt. In their book, blankets can also be tablecloths or space dividers. Their high-quality textiles are made to bring beauty and happiness into a family's everyday life for generations.

Lapuan Kankurit's fine wool products weave together the story of Finnish handicraft traditions, innovative techniques, and the artwork of top Scandinavian designers. And so the legend continues.

A Conversation with Jaana Hjelt

Born: 1968 in Lapua, Finland.

Lives: After studying and working in other cities for ten years, I came back to Lapua.

Work: I do what I love. I run a weaving mill—Lapuan Kankurit (“Weavers of Lapua”)—with my husband, Esko.

Fun: I love to just stay at home with the children, to spend time without any timetables. But we all also love to travel and meet new people. That’s what I do for fun and for work!

Working on right now: Now it’s the “exhibition season,” which means traveling around Europe and attending fairs. It’s great to show our latest collection and hear the feedback.

Favorite place in the world: Home. This may sound boring, but because of my busy life as an entrepreneur, weekends at home are the best. Saturday evenings at home with family: good food, sauna, sitting, and talking with the kids about all the joys and sorrows of the past week.

Motto: Now it’s a perfect moment.

Inspiration: My husband, Esko. It’s great to have someone next to you who is seeking innovations. He always gets ideas for textiles, and we share the same passion to create something new and beautiful for homes. Together with our designers, we make a great team.

Treasured possession: My grandmother’s handcrafted textiles.

Never leaves the house without: A smile. What else do you need?

What’s next for Lapuan Kankurit: We also would like to expand a bit more from home textiles towards apparel . . . Our designers have already made some great bags. I just love them and can’t wait for production to start.

See the beautiful products Jaana and Esko Hjelt are weaving at lapuankankurit.fi. We also sell select Lapuan Kankurit products online and at the Alpine Modern Shop on Pearl Street in Boulder. △

Hideaway Cabin

Seemingly growing from the mountain, the impossibly small Åkrafjorden Hunting Lodge by Snøhetta shelters up to 21 people. The Norwegian firm Snøhetta creates architecture, landscapes, interiors and brand design. And in this case, incredibly small architecture with a big task.

Family shelter

The project was commissioned on family farmland by Osvald Bjelland, who is chairman and CEO of the global business advisory Xyntéo and founder of The Performance Theatre, a leadership think tank.

The challenge in designing the Åkrafjorden hunting lodge on a fjord, high in the mountains above the village of Etne in Hordaland, Norway, was indeed its small size in the face of its intended use: The mountain hut was to be maximum 35 square meters (ca. 377 square feet), with the capacity to shelter up to 21 people (the same number of beds as at the family's farmhouse down in the village). Plus, the off-grid structure with no running water needed to look like it had always been there.

Only accessible by foot or on horseback, the remote lodge’s setting is beautiful, isolated, beside a lake in the untouched Nordic wilderness of West Norway.

One important part of the design concept was to integrate the hut into the landscape. Thus, the small hut’s shape, orientation and materials are influenced by the terrain’s characteristic composition of grass, heather and glacial rocks. In winter, the cabin becomes another brown fleck — like the rocks — in mounds of snow.

Modern expression of ancient traditions

The structure consists of two curved steel beams, covered with a continuous layer of hand-cut logs of timber — a fusion of modern architectural expression and the style of traditional Norwegian mountain cabins. The roof, with its organic form, “grows” out of the landscape and is overgrown with grass. The materials of the facades are local stone, tar treated wood and glass.

To make room for a surprisingly large number of guests in such a tiny space, the architects found inspiration in ancient lodging traditions: The space in the center serves as gathering place, and the beds along the walls provide a spot to sit comfortably around the middle of the room in the evening — one piece of furniture for socializing, eating and sleeping. A narrow nook by the entrance accommodates cooking equipment and storage. △